It's all very strange, because she's not particularly likeable. You'd think one of the parents would kick her out, but every member of the family is so locked inside their own head that no one understands the effect she's having on them collectively. As Amber inserts herself into the family, she shares remarkably little about herself, and yet manages to get everyone else to let their guard down. Each family member has the chance to tell their version of the story, taking turns as narrator, which enables the reader to get just as deep into each person's psyche as Amber does. Ali Smith used very different writing styles and techniques for each character, underscoring the differences between family members. On the other hand, Amber's chapters are decidedly sparse, so as readers our understanding of her is just as limited as the family's.
I was initially intrigued by Smith's quirky writing, but eventually tired of it. The story seemed about equal parts positive and creepy. Only when the family returns to London does the full impact of Amber's visit become clear, and the whole thing struck me as quite creepy indeed. And while this book gave me some interesting thoughts to ponder, I was left wishing some of the family relationships and related themes were further developed.
Cross-posted from my blog
I definitely had a different reaction to this novel. Maybe one of my favourite books I've read in the past year. Her prose is stellar and so careful, and her use of the stream of consciousness, especially with the son's section, reminded me strongly of Faulkner's Sound and Fury, but in a good way. Smith is always working a complicated game with language, and I love her writing for it. It's a shame you didn't like it, but oh well.
ReplyDeleteMatthew, I'm glad you enjoyed it. She has a unique writing style which I can appreciate, but for some reason it also wore on me a bit.
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