2. The Sense of an Ending
3. Snowdrops
6. Jamrach’s Menagerie
What can I tell you further? I once lived among humankind, and found them in their generality to be cruel and cold, and yet could mention the names of three or four that were like angels.
I really didn’t get all that much into the story until the ship sunk — it really gets going at that point. And then, just when I was getting tired of all the desperate tactics for survival in the lifeboat, another interesting development occurs. I was surprised by the twist ending as well, but it was a good one. I was impressed by the symbolism in the book. Recommended.
2001, 319 pp.
Rating:
I love Margaret Atwood, but Oryx and Crake was just too gritty for my taste. This was compounded by the fact that I listened to it on audio. Hearing the graphic descriptions was even worse than reading it. This was my fifth Atwood, and by far my least favorite.
The narrator is Jimmy, code-named Snowman. Crake is a sort of Dr. Moreau figure, while Oryx is a woman caught between the two. I don’t want to give away too many details for those who still want to read it, but if you’re squeamish about graphic s*xu*l situations (including child p*r*o*raphy), I would advise against it. I didn’t get why it had to have that element to the story. I also wondered why the title of the book was named that way, but in the end, I guess it was because Oryx and Crake were the two most influential figures in Jimmy’s life.
I would recommend reading other Atwoods before this one. The Handmaid’s Tale, Cat’s Eye, and The Penelopiad are my favorites so far.
2003, 378 pp.
Didn’t care for it. I liked Atonement only marginally better. I read On Chesil Beach because it was short and I could use it for the Novella and Notable Books challenges. I also wanted to give Ian McEwan another chance.
Edward and Florence are both novices to s*x on their wedding night, and the experience doesn’t turn out too well for them. The consequences of this event have serious repercussions for the couple, even life-changing ones. I enjoyed the back-stories of the couple, but the wedding night scene was too graphic for my taste. Really, can’t the same thing be said in a more understated, tasteful way? I realize I’m in the minority on things like this, but certain language and descriptions just really don’t do it for me. Your mileage probably varies.
2007, 203 pp.
The Stone Diaries by Carol ShieldsSomething has occurred to her--something transparently simple, something she's always known, it seems, but never articulated. Which is that the moment of death occurs while we're still alive. Life marches right up to the wall of that final darkness, one extreme state of being butting against the other. Not even a breath separates them. Not even a blink of the eye. A person can go on and on tuned in to the daily music of food and work and weather and speech right up to the last minute, so that not a single thing gets lost.
The Handmaid’s Tale
by Margaret Atwood
1986, 311 pages
Rating: 4.5
What a thought-provoking book!
Offred (Of Fred) is a woman who had her child and all her money taken away from her by the government. Her money was taken away just because she was female. Her daughter was taken away because her marriage was declared invalid. Why? Because it was the second marriage for her husband. The government has “religious” motivations for these acts. (Something I was a little uncomfortable with because I am a Christian, yet I realize there are always extremists. I took this as a cautionary tale.)
Spoiler alert! (Don’t read if you like to be in suspense during a book.)
.
.
.
Things only get worse from there. She is forced to become a handmaid, or surrogate mother, for a man of high position in the government. However, the conception is to occur in the normal way–with the wife present! This was a little shocking to me! Somehow Atwood pulls this off without offending my prudish sensibilities. The life of Offred is certainly not enviable.
I found this book to be a jolt to my system. Atwood is a gifted writer, and I definitely plan on reading more of her works.
Cat's Eye is about how girlhood traumas continue into adult life. Girls have a culture marked by secrets and shifting alliances, and these can cause a lot of distress. The girl who was your friend yesterday is not your friend today, but you don't know why. These childhood power struggles color friendships between women. I've asked women if they fear criticism more from men or from other women. The overwhelming answer was: "From women."
There were no men in this painting, but it was about men, the kind who caused women to fall. I did not ascribe any intentions to these men. They were like the weather, they didn't have a mind. They merely drenched you or struck you like lightning and moved on, mindless as blizzards. Or they were like rocks, a line of sharp slippery rocks with jagged edges. You could walk with care along between the rocks, picking your steps and if you slipped you'd fall and cut yourself, but it was no use blaming the rocks.
That must be what was meant by fallen women. Fallen women were women who had fallen onto men and hurt themselves. There was some suggestion of downward motion, against one's will and not with the will of anyone else. Fallen women were not pulled-down women or pushed women, merely fallen.
It is a story about Briony, who at 13 years old accuses a family friend of a horrible crime. This occurs in Part 1, which takes up half the book. The aftermath of that accusation, along with the characters’ involvement in World War II make up Parts 2 and 3. I don’t like reading about war, but I actually liked this part of the book the most. That was a surprise to me. By the end, Briony is 77 and reflecting on her life events and how they have affected her family.
Overall, I didn’t enjoy this book very much, but I am glad I read it. I’ll probably read at least one more book by this author before passing a final judgment.
2002, 351 pp.
NBCC - 2002
Rating: 3.5/5
Many things happen to Michael on the trip. He is captured and made to work for awhile, and then released. He finds what he thinks is the farm where his mother was raised and makes himself a home (if you can call it that) there. Struggling to survive and evade the government, in the midst of it all he still wants to be a gardener and plants a small pumpkin patch, which he guards and tends with fervor.
The book is told in three parts. Parts I and III describe the storyline from Michael's perspective. Part II is told in first person by a doctor who tries to understand Michael when he is brought under his care. This was a thought-provoking book and I enjoyed it, though I could have done without some scenes at the end. I'll definitely read more by Coetzee.
A quote:
I could live here forever, he thought, or till I die. Nothing would happen, every day would be the same as the day before, there would be nothing to say.
1983, 184 pp.
Rating:
The Blind Assassin
The Bone People
The Inheritance of Loss
The Sea