The Long Song, by Andrea Levy. Published 2010 by Farrar, Straus and Giroux.
I took The Long Song for review a while ago and I knew I'd get to
it eventually because it was a finalist for the 2010 Man Booker Prize,
and I have to say I was seriously impressed with this multifaceted,
engrossing novel.
Set in Jamaica on the cusp of the end of slavery, Andrea Levy tells the
story of Miss July, a slave in the household of one Caroline Mortimer,
an English widow come to Jamaica. Caroline Mortimer, always referred to
by her first and last name, is a comic figure, an emblem of the
ridiculous and the absurd. She takes a shine to July, calls her
"Marguerite" and makes July her personal servant. Along the way, they
get through the Baptist War, see the end of slavery in Jamaica and learn
to live with each other in the new era of freedom.
But don't mistake The Long Song for a feel-good novel about
relationships between whites and blacks, or one in which the blacks
teach the whites some lessons about life. Politics and social realities
may change; attitudes change but little. July, whose white Scottish
father raped her black Jamaican mother, finds that she is in a peculiar
position in the complex racial hierarchy of the island, where how much
white blood someone has determines their social standing among blacks
and women try to "raise their color" by sleeping with white men. July
falls in love with a white man, Robert Goodwin, who appears to be
passionately devoted to her. He talks a good game but eventually he
shows himself to be no better than July's own father when it comes to
his true esteem for her.
I really loved The Long Song.
I love how Levy made Caroline Mortimer sympathetic at first, then
gradually shifts into satire and absurdity, and I love how she shows the
different characters and events with respect for all- or mostly all. I
could understand why the characters did what they did, and how their
actions seemed right to them even when they seemed very wrong to me. The
characters are complex people- there are no cartoon saints and no
cartoon villains in this book. The narrator, the elderly July, is funny,
irascible and just ever so slightly unreliable, and her voice makes the
book the delightful, thoughtful and fascinating wonder that it is.
Literary and popular-fiction readers will enjoy this book and I
recommend it highly.
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